Enrique Plá was born in Santa Clara, Cuba
          in 1949 and grew up in a household where music was encouraged. As young
          as four he showed a keen interest in adapting anything to hand in the
          house as a percussion instrument – including saucepans, frying
          pans, doors and buckets. He even constructed a home made drumkit using
          his sister’s upturned piano stool and a home-made pedal, with
          which he would play along to records of not only the most popular Latin
          artists of the day, but also those of Bill Haley, Johnny Mathis y Elvis
        Presley!
        He moved to Havana in 1964 to complete
          music studies at the National School of the Arts and soon became a
          figure on the local music
          scene.
          After playing in many groups, including military bands during a period
          of compulsory military service, in 1974 he joined a group of young
          Cuban musicians, including Arturo Sandoval, Paquito d’Rivera,
          Chucho Valdes and others, who had recently embarked on an experimental
          project with the unusual name of “Irakere”. Winning a Grammy
          in 1979, and being nominated twice more in 1980 and 1998, Irakere went
          on to become a Jazz legend, playing all over the World in major concert
        halls and festivals and recording more than 40 albums to date.
        Plá's
          powerful, driving rhythms have been widely recognized as one of the
          key foundations of Irakere’s music, and during his
          work with the group he has also had the opportunity to accompany not
          only giants of Latin Music such as Silvio Rodríguez, Pablo Milanes,
          Emiliano Salvador, Ruben Blades, Willie Colon and Ray Barreto, but
          has also shared the stage with Jazz greats such as Herbie Hancock,
          Chick Corea , Dizzy Gillespie, Dave Brubeck, Stan Getz, Maynard Ferguson,
          Gerry Mulligan, Louis Bellson, Max Roach, and the bands of Wynton and
        Branford Marsalis.
        As a dedicated teacher of drumming to
          Cuba’s
          younger generation of musicians, he has been a key influence on the
          careers of many who
          have come after him. His former students have gone on to play with
          luminaries such as Michel Camilo, Roy Hargrove, Tito Puente, Gonzalo
          Rubalcaba, Michael Brecker, Dizzy Gillespie and Santana, on whose Grammy-winning
          album “Supernatural” Enrique’s former student Horacio “El
          Negro” Hernandez played, and which has sold more than 24 million
        copies worldwide.